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  • Aquaria. Or the Illusion of a Boxed Sea[MAAT, Lisbon]

    At vero eos et accusamus et iusto odio dignissimos ducimus qui blanditiis praesentium voluptatum deleniti atque corrupti quos dolores et quas molestias excepturi sint occaecati cupiditate non provident, similique sunt in culpa qui officia deserunt mollitia animi, id est laborum et dolorum fuga. Et harum quidem rerum facilis est et expedita distinctio. Nam libero tempore, cum soluta nobis est eligendi optio cumque nihil impedit quo minus id quod maxime placeat facere possimus, omnis voluptas assumenda est, omnis dolor repellendus. Temporibus autem quibusdam et aut officiis debitis aut rerum necessitatibus saepe eveniet ut et voluptates repudiandae sint et molestiae non recusandae. Itaque earum rerum hic tenetur a sapiente delectus, ut aut reiciendis voluptatibus maiores alias consequatur aut perferendis doloribus asperiores repellat.

  • I See That I See What You don’t See[Dutch Pavilion XII T, Triennale di Milano]

    Lorem ipsum dolor sit amet. Sed ut perspiciatis unde omnis iste natus error sit voluptatem accusantium doloremque laudantium, totam rem aperiam, eaque ipsa quae ab illo inventore veritatis et quasi architecto beatae vitae dicta sunt explicabo. Nemo enim ipsam voluptatem quia voluptas sit aspernatur aut odit aut fugit, sed quia consequuntur magni dolores eos qui ratione voluptatem sequi nesciunt. Neque porro quisquam est, qui dolorem ipsum quia dolor sit amet, consectetur, adipisci velit, sed quia non numquam eius modi tempora incidunt ut labore et dolore magnam aliquam quaerat voluptatem. Ut enim ad minima veniam, quis nostrum exercitationem ullam corporis suscipit laboriosam, nisi ut aliquid ex ea commodi consequatur? Quis autem vel eum iure reprehenderit qui in ea voluptate velit esse quam nihil molestiae consequatur, vel illum qui dolorem eum fugiat quo voluptas nulla pariatur?

    Credits © Angela Rui, 2022.

  • De/Coding. Alcantara in the Tapestry Rooms[Palazzo Reale, Milano]

    But I must explain to you how all this mistaken idea of denouncing pleasure and praising pain was born and I will give you a complete account of the system, and expound the actual teachings of the great explorer of the truth, the master-builder of human happiness. No one rejects, dislikes, or avoids pleasure itself, because it is pleasure, but because those who do not know how to pursue pleasure rationally encounter consequences that are extremely painful. Nor again is there anyone who loves or pursues or desires to obtain pain of itself, because it is pain, but because occasionally circumstances occur in which toil and pain can procure him some great pleasure. To take a trivial example, which of us ever undertakes laborious physical exercise, except to obtain some advantage from it? But who has any right to find fault with a man who chooses to enjoy a pleasure that has no annoying consequences, or one who avoids a pain that produces no resultant pleasure?

  • Faraway So Close[25th Biennial of Design, Ljubljana]

    It is a long established fact that a reader will be distracted by the readable content of a page when looking at its layout. The point of using Lorem Ipsum is that it has a more-or-less normal distribution of letters, as opposed to using ‘Content here, content here’, making it look like readable English. Many desktop publishing packages and web page editors now use Lorem Ipsum as their default model text, and a search for ‘lorem ipsum’ will uncover many web sites still in their infancy. Various versions have evolved over the years, sometimes by accident, sometimes on purpose.

  • Neuhaus[Het Nieuwe Instituut, Rotterdam]

    Lorem ipsum dolor sit amet, consectetur adipiscing elit, sed do eiusmod tempor incididunt ut labore et dolore magna aliqua. Ut enim ad minim veniam, quis nostrud exercitation ullamco laboris nisi ut aliquip ex ea commodo consequat. Duis aute irure dolor in reprehenderit in voluptate velit esse cillum dolore eu fugiat nulla pariatur. Excepteur sint occaecat cupidatat non proident, sunt in culpa qui officia deserunt mollit anim id est laborum.

  • Here / Now. Under Present Effect[Operae – Independent Design Festival, Torino]

    There are many variations of passages of Lorem Ipsum available, but the majority have suffered alteration in some form, by injected humour, or randomised words which don’t look even slightly believable. If you are going to use a passage of Lorem Ipsum, you need to be sure there isn’t anything embarrassing hidden in the middle of text. All the Lorem Ipsum generators on the Internet tend to repeat predefined chunks as necessary, making this the first true generator on the Internet. It uses a dictionary of over 200 Latin words, combined with a handful of model sentence structures, to generate Lorem Ipsum which looks reasonable. The generated Lorem Ipsum is therefore always free from repetition, injected humour, or non-characteristic words.

  • Ugo La Pietra. Progetto Disequilibrante[Triennale di Milano]

    Lorem ipsum dolor sit amet, consectetur adipiscing elit, sed do eiusmod tempor incididunt ut labore et dolore magna aliqua. Ut enim ad minim veniam, quis nostrud exercitation ullamco laboris nisi ut aliquip ex ea commodo consequat. Duis aute irure dolor in reprehenderit in voluptate velit esse cillum dolore eu fugiat nulla pariatur. Excepteur sint occaecat cupidatat non proident, sunt in culpa qui officia deserunt mollit anim id est laborum.

  • CAVES[Scuola del Design, Politecnico di Milano]

  • NEL TERZO PARADISO[Scuola del Design, Politecnico di Milano]

  • PEDAGOGIES OF THE SEA[GEO-Design, Design Academy Eindhoven]

  • LIVING DIORAMAS[UNIRSM Design, San Marino | Centro Naturalistico Sanmarinense]

  • LIVING DIORAMAS[NABA Milano | Associazione Parco Segantini]

  • LAND FLAG[Pitti Uomo 97 Firenze]

  • ENTER Salone Milano[Het Nieuwe Instituut, Rotterdam | Milan Design Week]

  • MEETING MIRABILIA[LIVEon4G at La Triennale, Milano]

  • Authenti-city (or the Unesco Paradox)[MADE LABS, Siracusa]

  • Dalla stagione del design radicale alla Global Tools[MAXXI Roma]

  • La Formula Mondrian. New design = New Worlds[MUDEC Milano]

  • Broken Nature per Milano Arch Week[Triennale di Milano]

  • Towards a Bauhaus School Europe[Bauhaus Dessau]

  • Bauhaus of the Seas[MATT Lisbon]

  • No Code[Officine Meccaniche Milano]

  • From the Moon[Triennale di Milano]

  • Mondrian e il Design Contemporaneo[Il Sole 24 Ore]

  • Missing Darkness[Social Matter, Social Design]

  • The Planet as Festival[Terraforma Journal]

  • Esercizi per un Intercalare Oceanico[Flash Art]

  • Postface[Going Real. Il valore del Progetto nell’epoca del postcapitalismo]

  • Aquaria. Beyond a Glass Wall[Terraforma Journal]

  • Icon Design[Mondadori Milano]

  • Abitare[RCS Milano]